Supro made their mark by the mid 60’s when Jimi Hendrix was playing a Supro Thunderbolt amp on tour with Little Richard and the Isley Brothers. A few years later, Jimmy Page, inspired by the raw tones of the Chicago blues scene, cut seminal Led Zeppelin tracks on a Supro Model 24… and so the chain of influence goes, full circle from Chicago blues, to London blues-rock, with Supro the hip tone to beat.
The Supro brand has distinguished itself as a sound for players who want to make their own mark on music, rather than merely chasing some tired standard that has gone before. Players who know Supro amps and understand what they can do have always appreciated them for their ability to help you sound like you. For years, the only way to achieve that legendary Supro tone was to track down an original amp, get it running well, and hope it stayed that way. Not any more. Supro is back—and the lore, the legend, the tone, and the total attitude is back with it. Check out Supro’s growing lineup of American-made amplifiers that honor the original circuits, while presenting value and performance unparalleled in today’s market, and a tone that is truly all your own.
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| Features | | Class-A Cathode-biased vintage design |
| | | Independent BASS and TREBLE controls |
| | | All-tube reverb |
| | | Output-tube tremolo |
| | | 15 Watts, Tube-Rectified |
| | | 6973 power tubes |
| | | 1×12 Supro DT12 speaker |
| | | Blue Rhino Hide Tolex |
| | | Assembled in NY, USA |
| | | Engineered by Bruce Zinky, Thomas Elliot and David Koltai |
| Tube Complement | | 4x 12AX7 |
| | | 1x 12AT7 |
| | | 2x 6973 |
| | | 1x 5U4 |
| Cabinet Dimensions | | 23 5/8” x 16” x 10 1/2” |
| Weight | | 40 lbs |
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